Film 2017
In May of this year, I left the screening room in Cannes where I had just seen L'atelier, a film by Laurent Cantet, feeling full of vigour and excitement. I had seen a film whose brilliance I longed to write about: I wanted to give voice to my feelings of elation as it had begun to dawn on me what Cantet was up to in his sharp, gleaming, deceptive movie. The film is about a writer of thrillers who mentors teenagers in a creative writing workshop in the south of France over the summer. The youths are from all sorts of backgrounds, and have enrolled in the course for a number of reasons: the idea is that together they will write a crime novel set in their own town of La Ciotat, drawing on its culture and history. To begin with, the writer, Olivia, engages her charges in a series of conversations about the crime that will occur in their book, which gets them onto the wider topic of violence, where it stems from, and what might cause someone to kill. The youngsters, being contemporary